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Ringo Starrfinds himself the human sacrifice target of a cult, and his fellow members ofThe Beatlesmust try to protect him from it.
Marc Behm(screenplay),Charles Wood(screenplay)
Kathryn Newton and Big Little Lies Took Over Malibu
Kathryn Newtondescribes the huge influence the star-studded cast ofBig Little Lieshad on her, and what its like on set.
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Over two typical days in the life ofThe Beatles, the boys struggle to keep themselves andPaul McCartneys mischievous grandfather in check while preparing for a live television performance.
The Beatlescharter a special bus for a surreal mystery tour.
The filmed account ofThe Beatlesattempt to recapture their old group spirit by making a back to basics album, which instead drove them further apart.
An autobiographical documentary of the greatest of the rock bands.
Compilation of almost allThe Beatlesmusic videos, with other television appearances and live performances.
A compilation of found footage featuring music, interviews, and stories ofThe Beatles250 concerts from 1963 to 1966.
They performed Dont Let Me Down twice during their rooftop concert of 30 January 1969, one of which was included in the Let It Be (1970) film, directed by Michael Lindsay-Hogg.
Filmed on 31 January 1969, at Apple Studio. Footage used in the film Let It Be.
An inept British WWII commander leads his troops to a series of misadventures in North Africa and Europe.
FilmmakerMartin Scorseseexamines the life of musicianGeorge Harrison, weaving together interviews, concert footage, home movies and photographs.
Filmed on 30 January 1969, at the Beatles rooftop concert at Apple in London. Footage used in the film Let It Be. The Beatles rooftop concert was the final public performance of the …See full summary
An Eastern cult discovers that the sacrificial ring is missing. Ringo, drummer of The Beatles band has it; sent by the girl (whos to be sacrificed) as a gift. Clang, Ahme, Bhuta and several cult members leave for London to retrieve the ring. After several failed attempts to steal the ring, they confront him in an Indian restaurant. Ringo learns that if he does not return the ring soon, he will become the next sacrifice. Ringo then discovers that the ring is stuck on his finger. Its a race against time; John, Paul, and George try to protect their friend while theyre all being chased not only by Clang and his minions, but also by two mad scientists and the chief inspector of Scotland yard. Will Ringo be saved, or will he be sacrificed?Written byErin Pelicano
Ailsa Avenue, Twickenham, Middlesex, England, UK
The comic books seen in the Beatles flat include Supermans Pal, Jimmy Olsen 65 (December 1962), Supermans Pal, Jimmy Olsen 67 (March 1963), Action Comics 304 (September 1963), Superman 165 (November 1963), Supermans Pal, Jimmy Olsen 75 (March 1964), Action Comics 311 (April 1964), Action Comics 314 (July 1964) and Amazing Stories of Suspense 23 (August 1964). The directorRichard Lesterwould later take over the direction ofSuperman II(1980) fromRichard Donnerand directSuperman III(1983).See more
When the attempts are being made on Ringos life, he and John go to post a letter. There are people walking on the sidewalk in the background, and a time lapse has them jumping suddenly to another spot on the sidewalk.See more
Cameo: No no no. Ill have to play it back. Youll have to do it again!
[He plays the recording back so they can hear the buzzing sound]
[Ringo and his drums crash through the sawn-through floor to the room below]
See moreCrazy CreditsDuring the closing credits, you can seePaul McCartneytake a bong hit, then proceed to blow smoke into the camera.See moreAlternate VersionsThe film originally used the mono mix version of the song HELP! which has a different vocal performance from the stereo mix. When the film was remixed into stereo, the stereo version was dubbed over the mono rather than remixed. This caused some lip-sync issues due to different phrasing and a lower-key HELP! from John when the title flashes up on the screen (the original mono version was more appropriately shouted out).See moreConnectionsReferenced inDie schlechtesten Filme aller Zeiten: Spiceworld – Der Film(2018)See moreSoundtracksAnother Girl
See moreFrequently Asked QuestionsThis FAQ is empty. Add the first question.User ReviewsA brief glimpse into the end of an era of innocence24 February 2008 bygrasshopper54See all my reviews
Of all the various Beatles transformations out there, I have to admit that I liked them best from late 1964 to mid-1966. During this era, they morphed from the innocent fab four into the pre-mystical Beatles that came about in late 1965 with the advent of their wonderful Rubber Soul lp.Yes, I loved these guys from this era of time. If youre old enough to have experienced the British Invasion, then you can show an appreciation of how the music once was: short and sweet. To put it simply, most pop music that came out of this era was short (around 2 minutes and 30 seconds) and sweet enough to reveal a new type of rock n roll that never existed before the advent of the Beatles, the Rolling Stones, the Yardbirds, Chad and Jeremy, the Dave Clark 5, etc, etc, etc.Its too bad that this era didnt last long enough for us to enjoy. Before you knew it, it was gone like a morning mist. Even the American versions of garage rock, like Gary Lewis & the Playboys and the Turtles disappeared as discontent with the establishment and Vietnam sapped all of the collective innocence out of us.It was an era of music that was, in essence, non-political; Beatles music, as well as other bands, were geared toward boy-girl love relationships and that was all. Barry McGuire then blew us out of the water with his Eve of Destruction around September, 1965. This, of course, caught the Beatles by surprise and they quickly changed their music from the typical love songs and became more creative in their talents by releasing Day Tripper with We Can Work It Out as a flip side.Help! is a remnant of the final days of innocence, when Vietnam was just entering the nightly news night after night after night and when the domestic disturbances on college campuses and ghettos was coming to a head.This is what Help! represents to those who study this era. It was still a time when we could still help to avoid the problems that were beginning to plague American culture, society and politics. It still showed the Beatles as innocent and fun-loving mop tops that many people still prefer over their re-emergence as mystical, drug-experimenting replacements two years hence. I know that I still prefer them as innocent mop tops, but reality has shown that they were far from innocent even during their early days in Hamburg.All that aside, this is still my favorite era of Beatledom.
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